It's Friday again. Here are some things that mattered to me recently.
- There is so much I love about Aracelis Girmay's 2017 poem "You Are Who I Love," but what I'm thinking about right now is the caesura in the 4th-to-last stanza. How there is space between the sentences but not separation. How there's no border and no end to this love.
- Jericho Brown's poem "Say Thank You Say I'm Sorry," which is, I think, about both who and what is essential. This part in particular is on my mind: "Save / My loves and not my sentences."
- NPR's Code Switch podcast did an episode recently about the "outside agitator," and how this trope is used to defend white supremacy both by undermining protest and by pleading white innocence.
- In his newsletter yesterday, Devin Kelly did a close reading of Jamaal May's poem "Macrophobia (Fear of Waiting)," and both the poem and the discussion of it were wonderful.
- Brandon Taylor wrote an essay that is, I think, about different manifestations of fear during this pandemic, and how that fear isolates and separates, and also how it creates a togetherness born of voyeurism and complicity.
- Finally, Rhiannon Giddens released her song "Build a House" today, featuring Yo-Yo Ma. It felt profound and beautiful to me to see this song performed by a Black woman and an Asian American man, making this music together.
As always, this is just a portion of what mattered to me recently. I'm fortunate to have the ability to spend money today supporting Black artists and Black businesses, so that's what I'm doing. If you, like me, are non-Black, I hope you will, too.
Thank you, and take care.